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For issue 1, Jenni worked with optical physics scientist Jon Schuller to investigate negative spaces for the transmission of light waves.
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Last year Bar published his second book, a collection of illustrations entitled Negative Space. The images employ negative space as a technical tool and to explore what he describes as negative issues.
Noma was interviewed contributing editor Laura Havlin in issue 1.
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For issue 2, Diane recalled imaginary friends and her childhood obsession with the past.
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For issue 2, Zooey selected and captioned her seven “Morning Records for Night Owls and the Faint of Heart.”
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For issue 2, Kyle, along with Bobby Solomon, shared his favorite places in Los Angeles.
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For issue 1, Tavi styled and photographed a look based on the cover of Haruki Murakami’s Norwegian Wood that appeared both in the issue and on select bookmarks included with the issue.
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For issue 2, Jody shared her favorite places in Los Angeles discovered by coincidence or accident.
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For issue 2, Christina contributed the essay, “Zumba Queen.”
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For issue 2, she wrote an essay, “The
Vanishing Act,” about leaving New York City for Los Angeles.
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For issue 2, Christy reported on the role of chance in our choosing of food.
For issue 1, Christy contributed “-Free Food,” a report about culinary taboo.
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For issue 2, Catherine wrote about her experiences “Engineering Chance” in an ensemble, site-specific theatre production.
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For issue 2, Miranda talked to Andi Teran about characters, cats, and coincidences.
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For issue 2, Kitty talked to Andi Teran about life in a family band and recording their album, Smoking in Heaven.
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For issue 2, Thessaly contributed the essay “The Economy of Coincidences.”
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For issue 1, Paige compiled a downloadable playlist of songs she best felt made use of negative space.
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For issue 1, Shannon interpreted negative space in film stills.
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Two of Lucy’s roundographs appeared in issue 1.
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For issue 2, Lucy contributed “The City of Leeds,” a montage of architecture and sculpture in pen on paper.
For issue 2, Peter contributed “Die Zauberlehring,” a collection of works derived from mapping various visual correspondences on composer Gyorgy Ligeti’s printed page.
For issue 2, Mike contributed drawings used in Beginners and talked to Andi Teran about making the film, coincidences, and fireworks.
More: mikemillsweb.com, humans.jp
For issue 2, Rob contributed
“WHENEVER YOU SEE THE SUN REFLECTED IN THE WINDOW OF A BUILDING IT IS AN ANGEL,” occupying the center spread of the issue as a framable poster.
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For issue 1, Thurston interpreted negative space as “the ultimate ambition of any real true black metal warrior.”
For issue 2, Maud recalled a near-death experience in “Offhand Rescue.”
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For issue 2, Hans-Ulrich spoke to Laura Havlin about coincidences in his work.
For issue 1, Jessica selected and captioned her favorite book spines from the New York Public Library’s archive.
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For issue 1, George selected her favorite book spines from her personal collection.
issue 1 featured an excerpt from George’s In Pursuit of Silence: Listening For Meaning In a World Of Noise and an original essay, “Negative Space and the Pursuit of Silence.”
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For issue 2, Sophia wrote an essay detailing why MTV may be to blame for her perspective on celebrity.
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For issue 1, Peter wrote an assay considering negative space and its influence on his designs.
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For issue 2, Bobbly, with Kyle Fitzpatrick, shared his favorite places in Los Angeles.
For issue 1, Bobby contributed an illustration, “Meranoplus Spinosus.”
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For issue 2, Sadie contributed “Coincidence,” a work of short fiction.
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For issue 2, Emma contributed the poem, “july.”
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For issue 2, Natalia illustrated seven album covers to accompany Zooey Deschanel’s “Morning Records for Night Owls and the Faint of Heart.”
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For issue 1, Joseph contributed an essay discussing the much-overlooked art of the book spine.
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For issue 2, Tamio contributed an illustrated journal entry depicting “good memories … earthquakes and the nuclear power plant accident in Japan.”
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For issue 2, Phil contributed “Kim Jong Phil,” a series of paintings.
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For issue 2, Tina contributed “Nadja’s Suitcase 1989,” a still life reconstruction of a memory.
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For issue 2, Wolfe talked to Laura Havlin about the role of coincidence in his catalogue, The Decent of Man, being chosen by the late Alexander McQueen upon which to write his suicide note.
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For issue 2, Laura interviewed artist Wolfe Von Lenkiewicz and curator and critic Hans-Ulrich Obrist.
For issue 1, Laura interviewed graphic designers Noma Bar and Peter Saville.
For issue 2, Andi interviewed filmmakers Miranda July and Mike Mills, and British band Kitty, Daisy and Lewis.
For issue 1, Andi wrote a short story entitled “The Space Between Lines.”
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